The fundamental item is that worldbuilding fabrication , or the worldbuilding turn of authors and fans , imply a philosophy of writing and reading that is n’t workable . Game of Thrones has a bunch to say about the vicissitudes of power , sure , but I look on it in the main because I require to know what happens next , confident that the whole clock - like story exists in the head of George R.R. Martin . ( This may explain why I sense so uncomfortable when we are told the showrunners deviate from the books ) . I ’m a passive participant in the tarradiddle .

Which is fine . Sometimes people involve to read for relief valve . But pen at it ’s best is a living dealing between writer and reader . There is a rhetorical game being play that should hale us to examine how language and communication work – because it ’s these same rhetorical games that function in the world around us . Our domain is built by interested party , and it will stay that way if we receive their stories ( which come in the form of political rhetoric , TV commercials and 24 - time of day news , among others ) passively .

[ ViaDresden Codak ]

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